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Meihuazhuang is said to belong to the Kunlun school and together with Baguaquan (a style of no relation to the famous Baguazhang popular today) comprise the fundamental boxing styles of the Kunlun sect1. In many of the rural areas in which meihuazhuang has been practiced for centuries, the founding of the sect is attributed to the mythological figure Yun Pan. Villagers often say Meihuazhuang existed since the beginning and folk legends claim that its history extends to the Han dynasty. Meihuazhuang's oldest written records, genealogies and textual date to the records of 2nd generation master Zhang Sansheng. While these writings have been accurately dated by historians to 1588, the style itself is undoubtedly much older2. Based on historical records, it is known that in 1588, Zhang Sansheng began his studies of meihuazhuang publicly in Xuzhou, Jiangsu province. His student, Zou Hongyi, of the third generation, was born at the end of the Ming dynasty. By the 9th year of the Qing Dynasty emperor Qianlong's reign, Zou Hongyi went north to teach martial arts and settled in Mazhuangqiao village in Pingxiang county, Hebei. The fourth generation masters Zou Wenjiu and Zou Wenrei taught meihuazhuang boxing to villagers. Records and rhymed couplets found in Mazhuangqiao village, Hebei are evidence that the organization of the meihuazhuang sect into the wenchang (civil/arts

Continuation of Part 1.

Composer:Zhou Yu Guo GuZheng player:Yuan Sha

Continuation of Part 1. By the way, the ending is cut off.

Composer:He Zhan-hao GuZheng:Yuan Sha

Tongbeiquan

First part of Yanqing jiazi, this set is the essential one of the yanqingquan system, it is long and arduous ..... conducted with slow and static movements to ensure the frame/structure is strong and accurate.

Grandmaster Chen Fengqi performs the key fundamental set of Yanqingquan/Mizongquan

Mianzhengquan (continuous attack boxing) of Yanqingquan.

Jingwu tantui demonstrated by Master Wang Yanji. For more information, visit www.wushu-qigong.com

Performed with Chinese zither-Guzheng NOTE:Be the first to comment on the video!

Composer:Zhao Man-qin The composer was inspired by a poem written by Zhang Jiu-ling in the Tang Dynasty. The poem is about the missing of distant relutives during a moonlit night and the poet's sweet dream of coming back to his home. The composer uses the modes and forms of Chaozhou zheng music and combines them with the rhythms and techniques of northern zheng music.

Composed by Tao Yi Mo Guzheng by Wu Li The song is one of the representative works debuted by Wu Li, which required high perfoming skills and is full of tension and rhythm. It depicts the chase, hiding, stalemate and contest between the hunter and the quarry, with wind blowing fiercely, horse nickering nervously, everything around blurry and soul-stirring. Wu Li creates the skill of "scraping by left hand" in the music. When she made a debut in Beiling in 2002, it created a big sensation and was later collected in the "Classics of Chinese Guzheng Music". Her debut in Europe in 2003 was also spoken highly of. The song was commented by the experts as "The greatly expanded the art expressive force of Guzheng", and was said to be another "milestone" works of Chinese Guzheng composition.

Performed with Chinese zither-Guzheng

Clip of an old Chinese movie by Ng Chor Fan

Performed by Ma Xiaohui

Performed by Ma Xiaohui

www.huain.com

Performed by Ma Xiaohui