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Goldsteins massacre at the Mosque

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http://lukeford.net/blog/?cat=4 10/18/07 terrorism, Israel

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A music video for Hartley Goldstein's song "Brad Wood." It's "A Hard Day's Night" meets "Say Anything"

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Emmanuel Goldstein's book, The Theory and Practice Of Oligarchical Collectivism, is a fictional book which is an important element in both the plot and the overall theme of George Orwell's dystopian novel Nineteen Eighty-Four, first published in 1949. Orwell's novel describes a totalitarian society ruled by the all-powerful Party. Emmanuel Goldstein figures in state propaganda as the chief enemy of the state — a former Party member who conspires against the "wise" leadership of Big Brother. Early in the novel, Orwell introduces the concept of the book supposedly written by Goldstein: "There were...whispered stories of a terrible book, a compendium of all the heresies, of which Goldstein was the author and which circulated clandestinely here and there. It was a book without a title. People referred to it, if at all, simply as The Book." In the text of the novel, The Book is usually written in italics, although there are exceptions such as occurs in the Signet Classic Centennial Edition print of Nineteen Eighty-Four, where The Book is simply in a different font. A heavy black volume, amateurishly bound, with no name or title on the cover. The print also looked slightly irregular. The pages were worn at the edges, and fell apart easily, as though the book had passed through many hands. The inscription on the title-page ran: THE THEORY AND PRACTICE OF OLIGARCHICAL COLLECTIVISM by Emmanuel Goldstein The protagonist of Nineteen Eighty-Four, Winston Smith, secretly hates the Party and Big Brother. Eventually he approaches Inner Party member O'Brien, thinking that he is part of Goldstein's conspiracy against the state, and at first it appears that O'Brien is indeed a member of the legendary "Brotherhood" opposing Big Brother. With O'Brien's help, Winston gets a copy of Goldstein's illegal tome, which according to O'Brien exposes the true nature of the totalitarian society created by the Party. It is required reading to become a full member of the Brotherhood. The true title of Goldstein's book turns out to be The Theory and Practice of Oligarchical Collectivism (Oligarchical collectivism is the correct political name, created by Orwell, for Ingsoc. It does not appear anywhere else in the book.). More than one tenth of the text of Orwell's novel is devoted to reproducing verbatim two long excerpts from The Book, as read by Winston Smith. Here Orwell sets out the back-story of the entire novel. "Goldstein" explains how the totalitarian state of Oceania, as well as its rival superstates Eurasia and Eastasia, came into being. This bridges the present of the original readers of the novel (the late forties) with the dystopian future world of 1984. More importantly, "Goldstein" explains the political philosophy on which the totalitarian superstates are based. Since it is described as growing out of the authoritarian tendencies that manifested in the first part of the twentieth century, this part of the novel is actually Orwell's attempt at showing where the world of his present could be heading, if totalitarianism were allowed to continue developing towards its logical endpoint.

Emmanuel Goldstein's book, The Theory and Practice Of Oligarchical Collectivism, is a fictional book which is an important element in both the plot and the overall theme of George Orwell's dystopian novel Nineteen Eighty-Four, first published in 1949. Orwell's novel describes a totalitarian society ruled by the all-powerful Party. Emmanuel Goldstein figures in state propaganda as the chief enemy of the state — a former Party member who conspires against the "wise" leadership of Big Brother. Early in the novel, Orwell introduces the concept of the book supposedly written by Goldstein: "There were...whispered stories of a terrible book, a compendium of all the heresies, of which Goldstein was the author and which circulated clandestinely here and there. It was a book without a title. People referred to it, if at all, simply as The Book." In the text of the novel, The Book is usually written in italics, although there are exceptions such as occurs in the Signet Classic Centennial Edition print of Nineteen Eighty-Four, where The Book is simply in a different font. A heavy black volume, amateurishly bound, with no name or title on the cover. The print also looked slightly irregular. The pages were worn at the edges, and fell apart easily, as though the book had passed through many hands. The inscription on the title-page ran: THE THEORY AND PRACTICE OF OLIGARCHICAL COLLECTIVISM by Emmanuel Goldstein The protagonist of Nineteen Eighty-Four, Winston Smith, secretly hates the Party and Big Brother. Eventually he approaches Inner Party member O'Brien, thinking that he is part of Goldstein's conspiracy against the state, and at first it appears that O'Brien is indeed a member of the legendary "Brotherhood" opposing Big Brother. With O'Brien's help, Winston gets a copy of Goldstein's illegal tome, which according to O'Brien exposes the true nature of the totalitarian society created by the Party. It is required reading to become a full member of the Brotherhood. The true title of Goldstein's book turns out to be The Theory and Practice of Oligarchical Collectivism (Oligarchical collectivism is the correct political name, created by Orwell, for Ingsoc. It does not appear anywhere else in the book.). More than one tenth of the text of Orwell's novel is devoted to reproducing verbatim two long excerpts from The Book, as read by Winston Smith. Here Orwell sets out the back-story of the entire novel. "Goldstein" explains how the totalitarian state of Oceania, as well as its rival superstates Eurasia and Eastasia, came into being. This bridges the present of the original readers of the novel (the late forties) with the dystopian future world of 1984. More importantly, "Goldstein" explains the political philosophy on which the totalitarian superstates are based. Since it is described as growing out of the authoritarian tendencies that manifested in the first part of the twentieth century, this part of the novel is actually Orwell's attempt at showing where the world of his present could be heading, if totalitarianism were allowed to continue developing towards its logical endpoint.

Emmanuel Goldstein's book, The Theory and Practice Of Oligarchical Collectivism, is a fictional book which is an important element in both the plot and the overall theme of George Orwell's dystopian novel Nineteen Eighty-Four, first published in 1949. Orwell's novel describes a totalitarian society ruled by the all-powerful Party. Emmanuel Goldstein figures in state propaganda as the chief enemy of the state — a former Party member who conspires against the "wise" leadership of Big Brother. Early in the novel, Orwell introduces the concept of the book supposedly written by Goldstein: "There were...whispered stories of a terrible book, a compendium of all the heresies, of which Goldstein was the author and which circulated clandestinely here and there. It was a book without a title. People referred to it, if at all, simply as The Book." In the text of the novel, The Book is usually written in italics, although there are exceptions such as occurs in the Signet Classic Centennial Edition print of Nineteen Eighty-Four, where The Book is simply in a different font. A heavy black volume, amateurishly bound, with no name or title on the cover. The print also looked slightly irregular. The pages were worn at the edges, and fell apart easily, as though the book had passed through many hands. The inscription on the title-page ran: THE THEORY AND PRACTICE OF OLIGARCHICAL COLLECTIVISM by Emmanuel Goldstein The protagonist of Nineteen Eighty-Four, Winston Smith, secretly hates the Party and Big Brother. Eventually he approaches Inner Party member O'Brien, thinking that he is part of Goldstein's conspiracy against the state, and at first it appears that O'Brien is indeed a member of the legendary "Brotherhood" opposing Big Brother. With O'Brien's help, Winston gets a copy of Goldstein's illegal tome, which according to O'Brien exposes the true nature of the totalitarian society created by the Party. It is required reading to become a full member of the Brotherhood. The true title of Goldstein's book turns out to be The Theory and Practice of Oligarchical Collectivism (Oligarchical collectivism is the correct political name, created by Orwell, for Ingsoc. It does not appear anywhere else in the book.). More than one tenth of the text of Orwell's novel is devoted to reproducing verbatim two long excerpts from The Book, as read by Winston Smith. Here Orwell sets out the back-story of the entire novel. "Goldstein" explains how the totalitarian state of Oceania, as well as its rival superstates Eurasia and Eastasia, came into being. This bridges the present of the original readers of the novel (the late forties) with the dystopian future world of 1984. More importantly, "Goldstein" explains the political philosophy on which the totalitarian superstates are based. Since it is described as growing out of the authoritarian tendencies that manifested in the first part of the twentieth century, this part of the novel is actually Orwell's attempt at showing where the world of his present could be heading, if totalitarianism were allowed to continue developing towards its logical endpoint.

Emmanuel Goldstein's book, The Theory and Practice Of Oligarchical Collectivism, is a fictional book which is an important element in both the plot and the overall theme of George Orwell's dystopian novel Nineteen Eighty-Four, first published in 1949. Orwell's novel describes a totalitarian society ruled by the all-powerful Party. Emmanuel Goldstein figures in state propaganda as the chief enemy of the state — a former Party member who conspires against the "wise" leadership of Big Brother. Early in the novel, Orwell introduces the concept of the book supposedly written by Goldstein: "There were...whispered stories of a terrible book, a compendium of all the heresies, of which Goldstein was the author and which circulated clandestinely here and there. It was a book without a title. People referred to it, if at all, simply as The Book." In the text of the novel, The Book is usually written in italics, although there are exceptions such as occurs in the Signet Classic Centennial Edition print of Nineteen Eighty-Four, where The Book is simply in a different font. A heavy black volume, amateurishly bound, with no name or title on the cover. The print also looked slightly irregular. The pages were worn at the edges, and fell apart easily, as though the book had passed through many hands. The inscription on the title-page ran: THE THEORY AND PRACTICE OF OLIGARCHICAL COLLECTIVISM by Emmanuel Goldstein The protagonist of Nineteen Eighty-Four, Winston Smith, secretly hates the Party and Big Brother. Eventually he approaches Inner Party member O'Brien, thinking that he is part of Goldstein's conspiracy against the state, and at first it appears that O'Brien is indeed a member of the legendary "Brotherhood" opposing Big Brother. With O'Brien's help, Winston gets a copy of Goldstein's illegal tome, which according to O'Brien exposes the true nature of the totalitarian society created by the Party. It is required reading to become a full member of the Brotherhood. The true title of Goldstein's book turns out to be The Theory and Practice of Oligarchical Collectivism (Oligarchical collectivism is the correct political name, created by Orwell, for Ingsoc. It does not appear anywhere else in the book.). More than one tenth of the text of Orwell's novel is devoted to reproducing verbatim two long excerpts from The Book, as read by Winston Smith. Here Orwell sets out the back-story of the entire novel. "Goldstein" explains how the totalitarian state of Oceania, as well as its rival superstates Eurasia and Eastasia, came into being. This bridges the present of the original readers of the novel (the late forties) with the dystopian future world of 1984. More importantly, "Goldstein" explains the political philosophy on which the totalitarian superstates are based. Since it is described as growing out of the authoritarian tendencies that manifested in the first part of the twentieth century, this part of the novel is actually Orwell's attempt at showing where the world of his present could be heading, if totalitarianism were allowed to continue developing towards its logical endpoint.

Nineteen Eighty-Four - BBC 1954 with Peter Cushing and Donald Pleasance (6 of 11) Adapted by Nigel Kneale, produced by Rudolph Cartier Characters: Winston Smith: Peter more... Cushing O'Brien: Andre Morrell Julia: Yvonne Mitchell Syme: Donald Pleasance Emmanuel Goldstein: Arnold Diamond Parsons: Campbell Gray Mrs Parsons: Pamela Grant Old Man: Thin Prisoner Wilfrid Brambell Mr Charrington: Leonard Sachs Big Brother: Roy Oxley Narrator: Richard Williams Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position. The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen. Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play. When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.

Adapted by Nigel Kneale, produced by Rudolph Cartier Characters: Winston Smith: Peter Cushing O'Brien: Andre Morrell Julia: Yvonne Mitchell Syme: Donald Pleasance Emmanuel Goldstein: Arnold Diamond Parsons: Campbell Gray Mrs Parsons: Pamela Grant Old Man: Thin Prisoner Wilfrid Brambell Mr Charrington: Leonard Sachs Big Brother: Roy Oxley Narrator: Richard Williams Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position. The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen. Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play. When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.

Adapted by Nigel Kneale, produced by Rudolph Cartier Characters: Winston Smith: Peter Cushing O'Brien: Andre Morrell Julia: Yvonne Mitchell Syme: Donald Pleasance Emmanuel Goldstein: Arnold Diamond Parsons: Campbell Gray Mrs Parsons: Pamela Grant Old Man: Thin Prisoner Wilfrid Brambell Mr Charrington: Leonard Sachs Big Brother: Roy Oxley Narrator: Richard Williams Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position. The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen. Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play. When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.

Adapted by Nigel Kneale, produced by Rudolph Cartier Characters: Winston Smith: Peter Cushing O'Brien: Andre Morrell Julia: Yvonne Mitchell Syme: Donald Pleasance Emmanuel Goldstein: Arnold Diamond Parsons: Campbell Gray Mrs Parsons: Pamela Grant Old Man: Thin Prisoner Wilfrid Brambell Mr Charrington: Leonard Sachs Big Brother: Roy Oxley Narrator: Richard Williams Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position. The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen. Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play. When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.